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Winners of the 2026 Photomicrography Competition

情報源: Kottke ·

Ok, I’m gonna use the word gobsmacking here because I think it’s completely appropriate. This image of an inkjet printer laying down ink on a piece of paper is gobsmacking. Like what?! You can check out photographer Ole Bielfeldt’s behind-the-scenes process on Instagram ; he built a whole custom rig to capture this composite image. The biggest challenge was speed and lighting. The printhead, in the printer, moves at a very high speed over the paper. Simultaneously, the ink droplets get injected at around 20 m/s. So to capture the ink droplets mid air and get my lens close enough, this required

Winners of the 2026 Photomicrography Competitionとは?

Winners of the 2026 Photomicrography Competition is a 記事 discovery curated from Kottke. Ok, I’m gonna use the word gobsmacking here because I think it’s completely appropriate. This image of an inkjet printer laying down ink on a piece of paper is gobsmacking. Like wh

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Curated from Kottke by the OnSuggest team to surface the most interesting and serendipitous content on the web.

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Vietnamese Mythology

A personal exploration of form, materials, and contemporary 3D aesthetics, bringing traditional Vietnamese symbols into a new visual context.

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The Washington Post Employed About 35 Staff Photographers in 1996. Since February 4, 2026, It Has Employed None.

In Miami in May 2023, Marvin Joseph asked Chris Evert and Martina Navratilova to put their heads together and lean on each other, and he made a portrait of two old rivals bound again by cancer. Joseph said it took off in a way he had not expected, pulling traffic and new subscriptions behind it. On February 4, 2026, The Washington Post eliminated the job that produced it, along with every other staff photographer position at the paper. [ Read More ]

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Adobe MAX 2026: Adobe Goes All In on Agentic AI

I'm spending today and tomorrow at Adobe MAX, a three-day creative conference held in Miami and attended by over 10,000 creatives. Adobe’s goal for the event is to share its latest innovations so that this creative community can best utilize these new tools. One theme apparent at this year’s MAX is removing the barriers caused by complex software interfaces. Adobe’s stated mission is to empower everyone to create, and the widespread implementation of AI across the Creative Cloud suite appears well-suited to that purpose. [ Read More ]

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