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‘Escape From Jurassic Park’: Scrapped Animated Series Sizzle Reel Lands Online 33 Years Later

Quelle: Bloody Disgusting ·

Back in the summer of 1993, you couldn’t look anywhere without being reminded of Jurassic Park. We’re not complaining, as the Steven Spielberg adaptation of the Michael Crichton novel is a verified masterpiece, as the filmmaker managed to take what could have been B-movie schlock and turned it into a gripping and ahead-of-its-time spectacle. From […] The post ‘Escape From Jurassic Park’: Scrapped Animated Series Sizzle Reel Lands Online 33 Years Later appeared first on Bloody Disgusting! .

Was ist ‘Escape From Jurassic Park’: Scrapped Animated Series Sizzle Reel Lands Online 33 Years Later?

‘Escape From Jurassic Park’: Scrapped Animated Series Sizzle Reel Lands Online 33 Years Later is a artikel discovery curated from Bloody Disgusting. Back in the summer of 1993, you couldn’t look anywhere without being reminded of Jurassic Park. We’re not complaining, as the Steven Spielberg adaptation of the Michael Crichton no

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Artikel · Kultur & Ideen

Arlington National Cemetery

Podcast Transcript On a hillside overlooking Washington, DC, sits one of the most sacred sites in the United States. It is the final resting place of presidents, generals, and hundreds of thousands of Americans who served their country. Yet, its origins are deeply intertwined with slavery, the Civil War, and a bitter legal dispute involving ... Read more

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Artikel · Kultur & Ideen

Real Horrorshow!

Main Stream Media Network (Jon Rafman, 2025). © Jon Rafman Courtesy the artist and Sprüth Magers. “The world isn’t a kind place, it’s wolves and devils,” says a character in Jon Rafman’s Main Stream Media Network: Proof of Concept (2025). With its hyperactive animation, haunting soundtrack, and twisted creepypasta tales of horror, the artist’s large-scale video work is more akin to a screaming conflagration than a feature film, a two-and-a-half hour transmission from hell. Modeled after the MTV of the early 1990s, a cultural moment Rafman views as the last example of a shared reality before th

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