Artículo

The Current Debate: The Unbearable Preachiness of Alejandro González Iñárritu's “Digger”

The Current Debate connects the dots around a topic of the critical conversation. Digger (Alejandro G. Iñárritu, 2026). Speaking to The New York Times a few days before Digger (2026) hit theaters, Alejandro G. Iñárritu said that the script of his eighth feature was originally called Blah, Blah, Blah . “The film was conceptually about the most dangerous weapon that we human beings have,” he told Melena Ryzik: “This little organ that is called the tongue.” Sure enough, people talk plenty in Digger , often at unhealthy decibels, and none more than the man at the heart—or the place where the heart

MUBI Notebook · EN

More Visible Abroad than at Home: Nigeria’s New Art Cinema and the Country that Can’t Screen It

My Father's Shadow (Akinola Davies Jr., 2025). In Lagos last September, a handful of screenings of My Father’s Shadow (2025) played in theaters that were, depending on the night, half empty. A few months earlier, the same film had world premiered at Cannes, in the Un Certain Regard section, and walked away with a special mention for the Caméra d’Or. It was the first Nigerian film to be programmed in the official selection at the festival. Variety called Akinola Davies Jr.’s film miraculous. Rotten Tomatoes aggregated the critical assessment as 98% positive. However, there exists a cultural inv

MUBI Notebook · EN

Tender Buttons

One Sings, the Other Doesn't (Agnès Varda, 1977). In her memoir, Varda par Agnès , the French director describes herself as “une féministe de terrain plus qu’une discuteuse,” roughly translated as “a feminist on the ground rather than in theory.” Later in the book, she describes the “feminists” discussing her work, implying that she was outside this group. How feminist she reads from any angle now is unclear. Many would, for instance, find her focus on the body and childbirth essentialist. Her 1975 short, Réponse de femmes: Notre corps, notre sexe ( Women Reply: Our Bodies, Our Sex ), opens wi

MUBI Notebook · EN

Multiplex | Ghoulish Globetrotting

Multiplex asks filmmakers, critics, and artists for short-form responses to the topic at hand. In this Halloween edition, contributors from around the world recommend one scary movie from their home country or region. Florian Widegger on West Germany Sukkubus—Den Teufel im Leib (Georg Tressler, 1989). What happens when a veteran director who helped shape postwar German-language cinema in the 1950s and ’60s decides to have one more go at it in his later years? When he casts two in-demand stage actors in the leading roles, alongside an Italian Playboy model whose physical assets steal the show?

MUBI Notebook · EN

MUBI Podcast: Encuentros | “Into the fire”

In this episode, ambition, and intuition are explored as signs of vitality in contemporary cinema. Jerónimo Quevedo is an Argentine producer and the founder of Un Puma, a production company through which he has produced more than twenty short, medium-length, and feature films spanning fiction, documentary, and experimental cinema. He has worked with both established and emerging directors from Latin America and Europe, including Martín Rejtman, Teddy Williams, Affonso Uchoa, Konstantina Kotzamani, Ico Costa, and Thomas Woodroffe. His filmography is characterized by projects that embrace signif

MUBI Notebook · EN

The Action Scene | Impact Factor: The Hong Kong Connection in Contemporary Thai Martial Arts Cinema

The Action Scene explores the form, history, and visceral power of action cinema through its set pieces. A translated version of this essay was published in HKinema , the quarterly magazine of the Hong Kong Film Critics Society. Clockwise from top-left: Ong-Bak (Prachya Pinkaew, 2003), Born to Fight (Panna Rittikrai, 2004), The Protector (Prachya Pinkaew, 2005), Chocolate (Prachya Pinkaew, 2008). “I like both Thai and kung fu shapes. Please show us!” “Are you mad? You could’ve been killed! If you want to die, I can arrange it.” — Born to Fight (Panna Rittikrai, 1984) For many martial arts movi

MUBI Notebook · EN

TIFF: The Market: The Review

TIFF: The Market exhibition booth option. At the 51st Toronto International Film Festival (TIFF), which saw the inaugural edition of its official content market, the atmosphere was unmistakably different from its jubilee year. The spirit of nostalgic celebration and victory lapping from 2025's "TIFFty" celebration had evaporated, leaving behind the gritty residue of cinema as a commercial product. Lacking the elegance of “Marché du Film” at Cannes and the specificity of “European Film Market” at Berlinale, for their new industry initiative TIFF settled on a name that evokes the absurdity of lo

MUBI Notebook · EN

IDA Statement On the Paramount–Warner Bros. Discovery Settlement

IDA Statement On the Paramount–Warner Bros. Discovery Settlement dominicwillsdon Tue, 09/22/2026 - 12:29

Documentary Mag · EN

End the Campaign of Threats Against NAZA Directors Yuval Abraham and Rachel Szor

End the Campaign of Threats Against NAZA Directors Yuval Abraham and Rachel Szor dominicwillsdon Thu, 09/24/2026 - 07:44

Documentary Mag · EN

IDA Member Spotlight: Jennifer Sofio Hall

IDA Member Spotlight: Jennifer Sofio Hall idastaff Fri, 09/25/2026 - 11:31

Documentary Mag · EN

IDA Announces Honorees for the 2026 IDA Documentary Awards

IDA Announces Honorees for the 2026 IDA Documentary Awards ida-admin Thu, 10/08/2026 - 16:00

Documentary Mag · EN

IDA Emergency Assistance Is Now A Permanent Program

IDA Emergency Assistance Is Now A Permanent Program dominicwillsdon Tue, 10/13/2026 - 10:39

Documentary Mag · EN

42nd IDA Documentary Awards Shortlists Announced for Best Features and Shorts

42nd IDA Documentary Awards Shortlists Announced for Best Features and Shorts idastaff Tue, 10/27/2026 - 12:51

Documentary Mag · EN

IDA Member Spotlight: Michèle Stephenson

IDA Member Spotlight: Michèle Stephenson idastaff Thu, 10/29/2026 - 15:45

Documentary Mag · EN

IDA Statement on the Sentencing of Jafar Panahi

IDA Statement on the Sentencing of Jafar Panahi ida-admin Fri, 10/30/2026 - 10:43

Documentary Mag · EN

Give Me the Backstory: Get to Know Joanna Natasegara, the Director of “The Disciple: A Wu-Tang Fable”

By Ramona Flume One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent The post Give Me the Backstory: Get to Know Joanna Natasegara, the Director of “The Disciple: A Wu-Tang Fable” first appeared on sundance.org .

Sundance News · EN

Reimagining a National System

Pictured: Filmmaker Vero Kompalic (Photo by Gia Rigoli) By Vero Kompalic This is the last picture I ever took in Venezuela. I had seen the The post Reimagining a National System first appeared on sundance.org .

Sundance News · EN

“The Invite,” “Josephine,” “Closure,” and More Sundance Institute–Supported Films Nominated for 36th Gotham Awards

Olivia Wilde, Seth Rogen, Penélope Cruz, and Edward Norton appear in “The Invite” by Olivia Wilde, an official selection of the 2026 Sundance Film Festival. The post “The Invite,” “Josephine,” “Closure,” and More Sundance Institute–Supported Films Nominated for 36th Gotham Awards first appeared on sundance.org .

Sundance News · EN

Give Me the Backstory: Get to Know Jason Osder and William Lafi Youmans, the Co-Directors Behind “Who Killed Alex Odeh?”

By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent The post Give Me the Backstory: Get to Know Jason Osder and William Lafi Youmans, the Co-Directors Behind “Who Killed Alex Odeh?” first appeared on sundance.org .

Sundance News · EN

2027 Sundance Film Festival Reveals Legacy Programming

Co-Presented by Letterboxd BOULDER, Colorado, October 21, 2026 — The nonprofit Sundance Institute announced today the Legacy program for the 2027 Sundance Film Festival, marking The post 2027 Sundance Film Festival Reveals Legacy Programming first appeared on sundance.org .

Sundance News · EN

A Family’s Haunting Search in “Closure”

The beautiful, devastating documentary “Closure” follows a family’s search for their missing son. The post A Family’s Haunting Search in “Closure” first appeared on sundance.org .

Sundance News · EN

What to Watch: 9 Sundance Institute–Supported Documentaries About Farming the Land and Fighting for a Sustainable Future

By Ramona Flume Each harvest season brings a sense of renewal and possibility. It’s a time to look ahead with hope, as well as honor The post What to Watch: 9 Sundance Institute–Supported Documentaries About Farming the Land and Fighting for a Sustainable Future first appeared on sundance.org .

Sundance News · EN

“Wicker” Spins Social Norms and Marriage Tropes Into a Charming, Comedic Fable

(L–R) Peter Dinklage, Alexander Skarsgård, and Olivia Colman attend the Q&A for “Wicker” by Eleanor Wilson and Alex Huston Fischer, an official selection of the 2026 Sundance Film Festival. (© 2026 Sundance Institute | photo by Sam Emenogu) By Ramona Flume Navigating a new marriage can be a funny thing. Especially in a fictional medieval village […] The post “Wicker” Spins Social Norms and Marriage Tropes Into a Charming, Comedic Fable first appeared on sundance.org .

Sundance News · EN

‘Beware Boiúna’ Comes to Digital This Week and Blu-ray in December

The trajectory of creature features in the realm of horror and sci-fi has seen a lot of ups and downs. Early in the history of cinema, movies would be schlocky or exploitative, due in large part to the limitations of actually bringing such stories to life. In 1975, Steven Spielberg completely changed the face of […] The post ‘Beware Boiúna’ Comes to Digital This Week and Blu-ray in December appeared first on Bloody Disgusting! .

Bloody Disgusting · EN