Cultura e idee

Which Dragon Ball Fan Theories Were Actually Confirmed? What the Official Record Shows

The official record confirms major Dragon Ball story events, but it does not document the sixteen earlier fan predictions needed to call them confirmed theories. The post Which Dragon Ball Fan Theories Were Actually Confirmed? What the Official Record Shows appeared first on DocumentaryTube .

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Beyoncé Reimagines Dolly Parton’s “Jolene” to Fit Her Story: Listen

Beyoncé’s “Jolene” keeps Dolly Parton’s title and premise but rewrites the narrator as a confident partner defending an established relationship. Here is what changed, why Dolly Parton appears in the intro, and how the track fits COWBOY CARTER. The post Beyoncé Reimagines Dolly Parton’s “Jolene” to Fit Her Story: Listen appeared first on DocumentaryTube .

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Who Is Stephen Fry’s Husband? All About Elliott Spencer

Elliott Spencer is Stephen Fry’s husband, a writer and comedian they met in 2012 and married in Norfolk in January 2015. Here is what reliable reporting establishes about his work, age and their public relationship. The post Who Is Stephen Fry’s Husband? All About Elliott Spencer appeared first on DocumentaryTube .

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WPA Posters and the New Deal: What the Archive Shows

The Library of Congress’s WPA poster archive documents New Deal public communication and artists’ employment, but it does not show that posters caused the nation’s economic recovery. The post WPA Posters and the New Deal: What the Archive Shows appeared first on DocumentaryTube .

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How to Identify White Birds in the United States: Four Reliable Examples

White plumage alone cannot identify a bird. Compare field marks and context to tell four documented U.S. species apart, from egrets to pelicans and ibises. The post How to Identify White Birds in the United States: Four Reliable Examples appeared first on DocumentaryTube .

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America’s Propaganda Posters: How to Verify the Stories Behind 33 Wartime Images

The archives document the campaigns behind America’s wartime posters, but each image needs its own record. Here’s how to find the history without mistaking context for proof. The post America’s Propaganda Posters: How to Verify the Stories Behind 33 Wartime Images appeared first on DocumentaryTube .

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Matthew Perry documentary, Macklemore’s “Free Palestine Tour” and Jay-Z’s Super Bowl halftime show

Netflix’s new Matthew Perry documentary, Macklemore’s benefit tour and Jay-Z’s 2027 Super Bowl halftime booking are three separate announcements. Here are the confirmed details, dates and important distinctions. The post Matthew Perry documentary, Macklemore’s “Free Palestine Tour” and Jay-Z’s Super Bowl halftime show appeared first on DocumentaryTube .

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Table of Contents | Notebook Issue 9: “Smoke and Mirrors”

"Smoke and Mirrors" is available via direct subscription or in select stores around the world. And now, for our next trick! Issue 9 of Notebook invites readers to journey through the intertwined histories of magic and cinema, uncovering screen wonders both spiritual and secular. After an unearthed foreword from stage-magician-turned-auteur Orson Welles, Turner Prize-winning artist Mark Leckey and scholar Stephen Ryley revive a ghostly proto-cinematic illusion from the Victorian era that still delights today. Filmmaker Kamal Swaroop’s kaleidoscopic collages showcase a foundational figure from e

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The Current Debate: The Unbearable Preachiness of Alejandro González Iñárritu's “Digger”

The Current Debate connects the dots around a topic of the critical conversation. Digger (Alejandro G. Iñárritu, 2026). Speaking to The New York Times a few days before Digger (2026) hit theaters, Alejandro G. Iñárritu said that the script of his eighth feature was originally called Blah, Blah, Blah . “The film was conceptually about the most dangerous weapon that we human beings have,” he told Melena Ryzik: “This little organ that is called the tongue.” Sure enough, people talk plenty in Digger , often at unhealthy decibels, and none more than the man at the heart—or the place where the heart

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More Visible Abroad than at Home: Nigeria’s New Art Cinema and the Country that Can’t Screen It

My Father's Shadow (Akinola Davies Jr., 2025). In Lagos last September, a handful of screenings of My Father’s Shadow (2025) played in theaters that were, depending on the night, half empty. A few months earlier, the same film had world premiered at Cannes, in the Un Certain Regard section, and walked away with a special mention for the Caméra d’Or. It was the first Nigerian film to be programmed in the official selection at the festival. Variety called Akinola Davies Jr.’s film miraculous. Rotten Tomatoes aggregated the critical assessment as 98% positive. However, there exists a cultural inv

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Tender Buttons

One Sings, the Other Doesn't (Agnès Varda, 1977). In her memoir, Varda par Agnès , the French director describes herself as “une féministe de terrain plus qu’une discuteuse,” roughly translated as “a feminist on the ground rather than in theory.” Later in the book, she describes the “feminists” discussing her work, implying that she was outside this group. How feminist she reads from any angle now is unclear. Many would, for instance, find her focus on the body and childbirth essentialist. Her 1975 short, Réponse de femmes: Notre corps, notre sexe ( Women Reply: Our Bodies, Our Sex ), opens wi

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Multiplex | Ghoulish Globetrotting

Multiplex asks filmmakers, critics, and artists for short-form responses to the topic at hand. In this Halloween edition, contributors from around the world recommend one scary movie from their home country or region. Florian Widegger on West Germany Sukkubus—Den Teufel im Leib (Georg Tressler, 1989). What happens when a veteran director who helped shape postwar German-language cinema in the 1950s and ’60s decides to have one more go at it in his later years? When he casts two in-demand stage actors in the leading roles, alongside an Italian Playboy model whose physical assets steal the show?

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MUBI Podcast: Encuentros | “Into the fire”

In this episode, ambition, and intuition are explored as signs of vitality in contemporary cinema. Jerónimo Quevedo is an Argentine producer and the founder of Un Puma, a production company through which he has produced more than twenty short, medium-length, and feature films spanning fiction, documentary, and experimental cinema. He has worked with both established and emerging directors from Latin America and Europe, including Martín Rejtman, Teddy Williams, Affonso Uchoa, Konstantina Kotzamani, Ico Costa, and Thomas Woodroffe. His filmography is characterized by projects that embrace signif

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The Action Scene | Impact Factor: The Hong Kong Connection in Contemporary Thai Martial Arts Cinema

The Action Scene explores the form, history, and visceral power of action cinema through its set pieces. A translated version of this essay was published in HKinema , the quarterly magazine of the Hong Kong Film Critics Society. Clockwise from top-left: Ong-Bak (Prachya Pinkaew, 2003), Born to Fight (Panna Rittikrai, 2004), The Protector (Prachya Pinkaew, 2005), Chocolate (Prachya Pinkaew, 2008). “I like both Thai and kung fu shapes. Please show us!” “Are you mad? You could’ve been killed! If you want to die, I can arrange it.” — Born to Fight (Panna Rittikrai, 1984) For many martial arts movi

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TIFF: The Market: The Review

TIFF: The Market exhibition booth option. At the 51st Toronto International Film Festival (TIFF), which saw the inaugural edition of its official content market, the atmosphere was unmistakably different from its jubilee year. The spirit of nostalgic celebration and victory lapping from 2025's "TIFFty" celebration had evaporated, leaving behind the gritty residue of cinema as a commercial product. Lacking the elegance of “Marché du Film” at Cannes and the specificity of “European Film Market” at Berlinale, for their new industry initiative TIFF settled on a name that evokes the absurdity of lo

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IDA Statement On the Paramount–Warner Bros. Discovery Settlement

IDA Statement On the Paramount–Warner Bros. Discovery Settlement dominicwillsdon Tue, 09/22/2026 - 12:29

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End the Campaign of Threats Against NAZA Directors Yuval Abraham and Rachel Szor

End the Campaign of Threats Against NAZA Directors Yuval Abraham and Rachel Szor dominicwillsdon Thu, 09/24/2026 - 07:44

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IDA Member Spotlight: Jennifer Sofio Hall

IDA Member Spotlight: Jennifer Sofio Hall idastaff Fri, 09/25/2026 - 11:31

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IDA Announces Honorees for the 2026 IDA Documentary Awards

IDA Announces Honorees for the 2026 IDA Documentary Awards ida-admin Thu, 10/08/2026 - 16:00

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IDA Emergency Assistance Is Now A Permanent Program

IDA Emergency Assistance Is Now A Permanent Program dominicwillsdon Tue, 10/13/2026 - 10:39

Documentary Mag · EN

42nd IDA Documentary Awards Shortlists Announced for Best Features and Shorts

42nd IDA Documentary Awards Shortlists Announced for Best Features and Shorts idastaff Tue, 10/27/2026 - 12:51

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IDA Member Spotlight: Michèle Stephenson

IDA Member Spotlight: Michèle Stephenson idastaff Thu, 10/29/2026 - 15:45

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IDA Statement on the Sentencing of Jafar Panahi

IDA Statement on the Sentencing of Jafar Panahi ida-admin Fri, 10/30/2026 - 10:43

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Give Me the Backstory: Get to Know Joanna Natasegara, the Director of “The Disciple: A Wu-Tang Fable”

By Ramona Flume One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent The post Give Me the Backstory: Get to Know Joanna Natasegara, the Director of “The Disciple: A Wu-Tang Fable” first appeared on sundance.org .

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